Can you talk us a bit through the process of creating and how that itself changed over the duration of the novel?
It’s pretty simple: I sit down and I draw. More often than not, though, I get up and wander around and do anything I can to avoid sitting down and drawing. But once I do, again, the drawings tell me what to do, and I try to listen to them, in the same way that a writer tries to get caught up in the flow of his or her words on a page. Drawing comics is a little less like carpentry and a little more like gardening; it takes patience and a lot of time and self-doubt and trust. I spend about a week drawing two pages, after which I enjoy a brief (+/- 15 minutes) of relief before the anxiety sets in knowing I have to start all over again.
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